“But why leave it to his son,” argued Joan. “Why couldn’t the old man have set about it himself, instead of wasting thirty precious years?” The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.!

“Give him our love,” he said. “Tell him we came together, at the end.” “Whether we accept the miraculous explanation of Christ’s birth,” continued Mr. Simson, in his best street-corner voice, “or whether, with the great French writer whose name for the moment escapes me, we regard Him merely as a man inspired, we must, I think, admit that His teaching has been of help: especially to the poor.”

“Do you think you will go on doing it?” he asked, with a laugh. “Yes,” she answered. “It was the last time he came to see me in London. And I could not help feeling a bit jealous. He was doing things while I was writing and talking. But I was glad he was an Allway. It will be known as the Allway scheme. New ways will date from it.” “It’s dirty work,” Flossie confided one day to Madge Singleton. “I trade on my silly face. Don’t see that I’m much different to any of these poor devils.” They were walking home in the evening from a theatre. “If I hadn’t been stony broke I’d never have taken it up. I shall get out of it as soon as I can afford to.”